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Showing posts from December, 2018

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Character Design - Outfit and character designs

on December 24, 2018

Character Design Toolkit 2 Year 2

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Collaboration - Reflective Statement

on December 16, 2018

Collaboration Reflective Statement Year 2

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Collaboration - Final film

on December 13, 2018

Animation Collaboration Year 2

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Collaboration contributions - Animated scenes

on December 13, 2018

Animation Collaboration Year 2

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Collaboration - Film reviews

on December 13, 2018

Collaboration Film Reviews Year 2

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Collaboration contributions - Models

on December 12, 2018

Collaboration Year 2

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Collaboration contributions - House Orthographic

on December 12, 2018

Collaboration Orthographic Year 2

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Collaboration contributions - Concept Art

on December 12, 2018

Collaboration Digital painting Year 2

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Collaboration contributions - Character/Environment thumbnails

on December 12, 2018

Collaboration thumbnails Year 2

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Collaboration Contributions - Script

on December 11, 2018

Collaboration Script Year 2

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Film Review - Exploitation in Mad Max: Fury Road

on December 05, 2018

Film Reviews Toolkit 2 Year 2

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Film Review - (B Movie) Attack of the Crab Monsters

on December 05, 2018

Film Reviews Toolkit 2 Year 2

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Film Review - Rivalry in Rocky II

on December 05, 2018

Film Reviews Toolkit 2 Year 2

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Perspectives - Word definitions

on December 02, 2018

Perspectives Year 2

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Frankie Sutton

Year 3 - Computer Animation Arts

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Labels

After Effects
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Animation
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Popular Posts

Alien Character Poses

Here are a few different poses of my alien character.

Perspectives - Postmodernism in Kill Bill Vol. 1

Quentin Tarantino's Kill Bill Vol. 1 tells a blood filled story of revenge staring Uma Thurman , who plays the role of the bride who's family get slaughtered by the skilled Deadly Viper Assassination Squad. Despite receiving some criticism that the film is about nothing but blood and violence, the film contains multiple elements that make it Postmodern, and Tarantino seems to have made it to reminisce over films from his youth and create something enjoyable, that also meant something to him. One way in which the film is postmodern, is Tarantino's eclectic approach to making the film. He brings together a combination of different genres, including Action, Western and Kung Fu Cinema. In some scenes he uses a black and white filter, leaning towards classic horror films, which then changes to colour in following scenes. There's also an extreme change in genre/style as part of the film is shown in a full Japanese styled animation. Kill Bill is very pastiche in the w...

Thumbnails

@phil From Script to Screen Premise and Logline

The Premise After a plastic surgeon loses his confidence and boards a cruise ship to get away from it all, it takes an unexpected and unlikely friend to help bring back the spark he needs. The Logline Gerald Harrington is a plastic surgeon whose composure is blown when he makes a mistake on one of his patients, causing him to flee from his city on a cruise ship to diminish his guilty conscience. When he finds a troubled and lost jelly fish at sea, he uses all that he knows along with the light bulb in his room to help it out.

JPJ improvements

Instead of moving onto the next tutorial, I decided to go back and clean up what I'd currently done. I had to rearrange a lot of vertices to reduce bumps and repair the mouth. It still isn't perfect, but I'm much happier with the changes I have made and I'm now prepared to continue with the following tutorials.

Film Review: La Belle Et La Bete

Jean Cocteau's La Belle Et La Bete (1946) is a French romantic fantasy, and also an adaption of the Beauty and The Beast story from 1757. This film thrives to create a sense of magical enchantment, through its extraordinary set design and mystical cinematography. Before the film starts, there is an opening title talking about how children believe stories and what they are told, it then says "They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood's open sesame: 'Once upon a time...'" ( La Belle Et La Bete , 1946) The fact Cocteau chose to include this gives away his intention of attempting to put the viewers under a spell when watching, and in a way he is trying to banish any disbelief present and make the audience think and believe as if they're a child again. Figure. 1. La Belle Et La Bete Movie Poster. For a film that is about a hide...

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