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Showing posts from March, 2019

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Premise - Character Silhouettes

on March 29, 2019

Premise thumbnails Year 2

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Premise - Script Second Draft

on March 29, 2019

Premise Script Year 2

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Premise - Character Silhouettes

on March 28, 2019

Premise thumbnails Year 2

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Premise - Tonal Influence Map

on March 26, 2019

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@alan@phil Premise - Rough Animatic Intro

on March 25, 2019

Animatic Premise Year 2

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Facial Animation - Jaw Bounce and Visemes

on March 25, 2019

Animation Toolkit 2 Year 2

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Premise - Step Outline

on March 21, 2019

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@alan @phil Premise - Further Idea Development

on March 20, 2019

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Premise - Character Thumbnails

on March 11, 2019

Premise thumbnails Year 2

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Premise - Character Thumbnails

on March 10, 2019

Premise thumbnails Year 2

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Facial Animation - Week 1 Exercise

on March 07, 2019

Animation Toolkit 2 Year 2

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Film Review - Waltz with Bashir

on March 06, 2019

Film Reviews Toolkit 2 Year 2

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Film Review - Ponyo

on March 06, 2019

Film Reviews Toolkit 2 Year 2

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Frankie Sutton

Year 3 - Computer Animation Arts

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Popular Posts

Alien Character Poses

Here are a few different poses of my alien character.

Perspectives - Postmodernism in Kill Bill Vol. 1

Quentin Tarantino's Kill Bill Vol. 1 tells a blood filled story of revenge staring Uma Thurman , who plays the role of the bride who's family get slaughtered by the skilled Deadly Viper Assassination Squad. Despite receiving some criticism that the film is about nothing but blood and violence, the film contains multiple elements that make it Postmodern, and Tarantino seems to have made it to reminisce over films from his youth and create something enjoyable, that also meant something to him. One way in which the film is postmodern, is Tarantino's eclectic approach to making the film. He brings together a combination of different genres, including Action, Western and Kung Fu Cinema. In some scenes he uses a black and white filter, leaning towards classic horror films, which then changes to colour in following scenes. There's also an extreme change in genre/style as part of the film is shown in a full Japanese styled animation. Kill Bill is very pastiche in the w...

Thumbnails

@phil From Script to Screen Premise and Logline

The Premise After a plastic surgeon loses his confidence and boards a cruise ship to get away from it all, it takes an unexpected and unlikely friend to help bring back the spark he needs. The Logline Gerald Harrington is a plastic surgeon whose composure is blown when he makes a mistake on one of his patients, causing him to flee from his city on a cruise ship to diminish his guilty conscience. When he finds a troubled and lost jelly fish at sea, he uses all that he knows along with the light bulb in his room to help it out.

JPJ improvements

Instead of moving onto the next tutorial, I decided to go back and clean up what I'd currently done. I had to rearrange a lot of vertices to reduce bumps and repair the mouth. It still isn't perfect, but I'm much happier with the changes I have made and I'm now prepared to continue with the following tutorials.

Film Review: La Belle Et La Bete

Jean Cocteau's La Belle Et La Bete (1946) is a French romantic fantasy, and also an adaption of the Beauty and The Beast story from 1757. This film thrives to create a sense of magical enchantment, through its extraordinary set design and mystical cinematography. Before the film starts, there is an opening title talking about how children believe stories and what they are told, it then says "They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood's open sesame: 'Once upon a time...'" ( La Belle Et La Bete , 1946) The fact Cocteau chose to include this gives away his intention of attempting to put the viewers under a spell when watching, and in a way he is trying to banish any disbelief present and make the audience think and believe as if they're a child again. Figure. 1. La Belle Et La Bete Movie Poster. For a film that is about a hide...

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