Frankie Sutton - Computer Animation Arts

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Nothing Left Final Film

on June 16, 2020

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My final film is now fully completed and available to watch, here it is.

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Perspectives - Postmodernism in Kill Bill Vol. 1

Quentin Tarantino's Kill Bill Vol. 1 tells a blood filled story of revenge staring Uma Thurman , who plays the role of the bride who's family get slaughtered by the skilled Deadly Viper Assassination Squad. Despite receiving some criticism that the film is about nothing but blood and violence, the film contains multiple elements that make it Postmodern, and Tarantino seems to have made it to reminisce over films from his youth and create something enjoyable, that also meant something to him. One way in which the film is postmodern, is Tarantino's eclectic approach to making the film. He brings together a combination of different genres, including Action, Western and Kung Fu Cinema. In some scenes he uses a black and white filter, leaning towards classic horror films, which then changes to colour in following scenes. There's also an extreme change in genre/style as part of the film is shown in a full Japanese styled animation. Kill Bill is very pastiche in the w

Film Review: The Hero's Journey in Spider-Man (2002)

The famous pattern of Joseph Campbell’s Hero’s Journey makes its presence throughout Sam Raimi’s Spider-Man . Peter Parker (Toby Maguire) is the hero throughout this movie, who has to balance life affecting complications when he decides to keep his true identity separate from his actual superhero life. The Hero’s Journey of course starts with the Ordinary World , which is what we are introduced to as Spider-Man kicks off. Peter Parker at this point in the story, is one of the most unexpected individuals to be considered a hero. He’s just a student trying to live his life in New York, while often missing his school bus or being pushed around by domineering bullies around him. This is Peter Parker’s ordinary world, he has a crush on the girl he knows he will probably never get, he is a young and sophisticated photographer just trying to survive each day as it comes. Luckily for him, the next step to the journey (The Call to Adventure) is given to him early on in the movie.

Film Review: La Belle Et La Bete

Jean Cocteau's La Belle Et La Bete (1946) is a French romantic fantasy, and also an adaption of the Beauty and The Beast story from 1757. This film thrives to create a sense of magical enchantment, through its extraordinary set design and mystical cinematography. Before the film starts, there is an opening title talking about how children believe stories and what they are told, it then says "They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood's open sesame: 'Once upon a time...'" ( La Belle Et La Bete , 1946) The fact Cocteau chose to include this gives away his intention of attempting to put the viewers under a spell when watching, and in a way he is trying to banish any disbelief present and make the audience think and believe as if they're a child again. Figure. 1. La Belle Et La Bete Movie Poster. For a film that is about a hide

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Nothing Left Final Film

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