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Final Scene

on December 14, 2017

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Perspectives - Postmodernism in Kill Bill Vol. 1

Quentin Tarantino's Kill Bill Vol. 1 tells a blood filled story of revenge staring Uma Thurman , who plays the role of the bride who's family get slaughtered by the skilled Deadly Viper Assassination Squad. Despite receiving some criticism that the film is about nothing but blood and violence, the film contains multiple elements that make it Postmodern, and Tarantino seems to have made it to reminisce over films from his youth and create something enjoyable, that also meant something to him. One way in which the film is postmodern, is Tarantino's eclectic approach to making the film. He brings together a combination of different genres, including Action, Western and Kung Fu Cinema. In some scenes he uses a black and white filter, leaning towards classic horror films, which then changes to colour in following scenes. There's also an extreme change in genre/style as part of the film is shown in a full Japanese styled animation. Kill Bill is very pastiche in the w

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@phil From Script to Screen Premise and Logline

The Premise After a plastic surgeon loses his confidence and boards a cruise ship to get away from it all, it takes an unexpected and unlikely friend to help bring back the spark he needs. The Logline Gerald Harrington is a plastic surgeon whose composure is blown when he makes a mistake on one of his patients, causing him to flee from his city on a cruise ship to diminish his guilty conscience. When he finds a troubled and lost jelly fish at sea, he uses all that he knows along with the light bulb in his room to help it out.

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Final Scene

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