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Showing posts from May, 2019

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Toolkit 2 Submission Post

on May 16, 2019

Toolkit 2 +0 Year 2

Toolkit 2 Year 2

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Mudbox - Still Life Scene

on May 16, 2019

Mudbox Toolkit 2 +0 Year 2

Mudbox Toolkit 2 Year 2

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Analogue Sculpting

on May 16, 2019

Sculpting Toolkit 2 +0 Year 2

Sculpting Toolkit 2 Year 2

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Facial Animation Exercise

on May 16, 2019

Animation Maya Toolkit 2 +0 Year 2

Animation Maya Toolkit 2 Year 2

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Weight Lifting Exercise Submission

on May 16, 2019

Animation Maya Toolkit 2 +0 Year 2

Animation Maya Toolkit 2 Year 2

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Lighting and Rendering: Sub Surface Scattering

on May 16, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Head Skeleton & Binding

on May 16, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Lighting and Rendering: Displacement

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Lighting and Rendering: Motion Blur

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Complete Body Rig

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Rigging (Arms & Fingers)

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Rigging (IK / FK Spine)

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Rigging (Feet & Legs)

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Skinning Complete

on May 15, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Space Deformers (Upper Body)

on May 14, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Blending the Lower Body

on May 14, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Blending the Upper Body

on May 14, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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JPJ - Binding & Weight Grouping the Mesh

on May 14, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Lighting and Rendering: Fog Atmosphere

on May 14, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Lighting and Rendering: Depth of Field

on May 14, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Lighting and Rendering: Photometric Lights

on May 13, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Life Drawing - 18/03/19

on May 13, 2019

Life Drawing Toolkit 2 +0 Year 2

Life Drawing Toolkit 2 Year 2

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Life Drawing - 11/03/19

on May 13, 2019

Life Drawing Toolkit 2 +0 Year 2

Life Drawing Toolkit 2 Year 2

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Life Drawing - 11/02/19

on May 13, 2019

Life Drawing Toolkit 2 +0 Year 2

Life Drawing Toolkit 2 Year 2

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Life Drawing - 04/02/19

on May 13, 2019

Life Drawing Toolkit 2 +0 Year 2

Life Drawing Toolkit 2 Year 2

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Lighting and Rendering: Ambient Occlusion

on May 13, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Lighting and Rendering: Mesh Lights

on May 13, 2019

Maya Toolkit 2 +0 Year 2

Maya Toolkit 2 Year 2

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Premise - Reflective Statement

on May 13, 2019

Premise Reflective Statement +0 Year 2

Premise Reflective Statement Year 2

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Film Review - The Triplets of Belleville

on May 10, 2019

Film Reviews Toolkit 2 +0 Year 2

Film Reviews Toolkit 2 Year 2

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Premise - Crit Presentation

on May 08, 2019

Premise +0 Year 2

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Premise - Animatic

on May 08, 2019

Animatic Maya Premise +0 Year 2

Animatic Maya Premise Year 2

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Premise - Scientist Badge Designs

on May 08, 2019

Premise thumbnails +0 Year 2

Premise thumbnails Year 2

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Premise - Character Designs

on May 08, 2019

Premise +0 Year 2

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Frankie Sutton

Year 3 - Computer Animation Arts

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Popular Posts

Alien Character Poses

Here are a few different poses of my alien character.

Thumbnails

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Quentin Tarantino's Kill Bill Vol. 1 tells a blood filled story of revenge staring Uma Thurman , who plays the role of the bride who's family get slaughtered by the skilled Deadly Viper Assassination Squad. Despite receiving some criticism that the film is about nothing but blood and violence, the film contains multiple elements that make it Postmodern, and Tarantino seems to have made it to reminisce over films from his youth and create something enjoyable, that also meant something to him. One way in which the film is postmodern, is Tarantino's eclectic approach to making the film. He brings together a combination of different genres, including Action, Western and Kung Fu Cinema. In some scenes he uses a black and white filter, leaning towards classic horror films, which then changes to colour in following scenes. There's also an extreme change in genre/style as part of the film is shown in a full Japanese styled animation. Kill Bill is very pastiche in the w...

@phil From Script to Screen Premise and Logline

The Premise After a plastic surgeon loses his confidence and boards a cruise ship to get away from it all, it takes an unexpected and unlikely friend to help bring back the spark he needs. The Logline Gerald Harrington is a plastic surgeon whose composure is blown when he makes a mistake on one of his patients, causing him to flee from his city on a cruise ship to diminish his guilty conscience. When he finds a troubled and lost jelly fish at sea, he uses all that he knows along with the light bulb in his room to help it out.

JPJ improvements

Instead of moving onto the next tutorial, I decided to go back and clean up what I'd currently done. I had to rearrange a lot of vertices to reduce bumps and repair the mouth. It still isn't perfect, but I'm much happier with the changes I have made and I'm now prepared to continue with the following tutorials.

Infographic - Breaking Bad

Breaking Bad Infographic from Frankie Sutton on Vimeo . Here is my current Breaking Bad Infographic. The render time took a whole lot longer than I expected, preventing me from uploading before 5pm. The one thing I still wanted to do to this was add yellow particles that travel through the tube shapes throughout the whole thing, but I was unable to fully complete that part so far.

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